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Critical Visions in Film Theory is a new book for a new generation, embracing groundbreaking approaches in the field without ignoring the history of classical film theory. The study of film theory has changed dramatically over the past 30 years with innovative ways of looking at classic debates in areas like film form, genre, and authorship, as well as exciting new conversations on such topics as race, gender and sexuality, and new media. Until now, no film theory anthology has stepped forward to represent this broader, more inclusive perspective. Critical Visions also provides the best guidance for students, giving them the context and the tools they need to critically engage with theory and apply it to their film experiences.
- Sales Rank: #93787 in Books
- Published on: 2010-12-06
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x 1.53" w x 6.50" l, 3.08 pounds
- Binding: Paperback
- 1200 pages
About the Author
Timothy Corrigan is Professor of Cinema Studies, English, and History of Art at the University of Pennsylvania. His work in film studies focuses on modern American and international cinema, as well as on pedagogy and film. He is coauthor, with Patricia White, of The Film Experience: An Introduction (2009). His most recent book is The Essay Film from Montaigne, after Marker. He is an editor of the journal Adaptation and serves on the editorial board of Cinema Journal. He has taught film at the University of Amsterdam, Temple University, University of Iowa, and at campuses in Tokyo, Rome, Paris, and London. Patricia White is Professor of Film and Media Studies at Swarthmore College. She is the author of Uninvited: Classical Hollywood Cinema and Lesbian Representability and is completing a new book on global women's filmmaking in the twenty-first century. With Timothy Corrigan, she is co-author of The Film Experience and co-editor of Critical Visions in Film Theory: Classic and Contemporary Readings. A member of the editorial collective Camera Obscura, she also serves on the board of Women Make Movies. Meta Mazaj is a Lecturer in Cinema Studies at the University of Pennsylvania. She has published on critical theory, Balkan cinema, new European cinema, film and nationalism. She is author of Nation and Cynicism in the Post 1990s Balkan Cinema (2008), and her current work focuses on East European and transnational cinema.
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